Description

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Here’s Barry Dean’s introduction and explanation for his print:

“As a member of the Sydney Maritime Museum, I have a love of timber boats – perhaps that is why I was tempted to depict the fifth Phantom fighting pirates on the high seas. Further, as a fulltime background painter at Sydney’s Walt Disney Studio, it seemed appropriate to treat the artwork as if it were for animation.

“When laying out a panning background, (that is, a background that moves across the screen), often there are multiple vanishing points to more than one horizon line. In this illustration there are five separate perspective planes with a dramatic forced perspective running along the ship.

“In order to visualise this painting as if it were animating:

• begin by looking at the lower left hand corner
• take in the turmoil below the mainmast
• now lift your eyes, following the pirates as they climb aloft – rest your gaze on the crows nest.

“The cause of the disturbance is now revealed. Pursued by pirates The Phantom is making a stand atop the mainmast. As he realizes he will soon be overwelmed, he decides its time to abandon ship. Leaping for the rigging, we follow The Phantom as he grabs a loose line and swings out beyond the gunwale. Behind The Phantom the pirates’ galleon is well ablaze …. seconds later the forecastle erupts, sealing the fate of the ship and all aboard.

“A band of the pirates, anticipating the ship’s imminent demise, have escaped in the ship’s longboat. As the foremast collapses The Phantom swings in low over the water and drops onto the longboat’s stem, thus escaping the doomed galleon and capturing the fleeing pirates … his pistol ready to ensure their cooperation.

“With burning debris still falling around them, we notice a woman captive tied to the longboat’s mast. Avid Phantom readers may recognise her …. she is Captain Amazon, the fifth Phantom’s wife.

“So …. he has defeated the pirates and rescued his beloved in one swoop.

“As an animated film, the action in this scene might take between 20 to 25 seconds. The original was executed using artist colour acrylics on bainbridge board. The Phantom was traced and painted onto a clear cel as a separate piece of work.”

About this Series

In 1997, 99.94 Editions began production of a series of limited edition art prints depicting the history of The Phantom. This company, based in Newcastle NSW Australia, is headed by Dietmar Lederwasch. Dietmar is a long-time Phantom phan and is putting his heart and soul into this enormous project. In the interests of informing Phantom Phans of what they can expect from these prints, I’ve reproduced some of their promotional material and provided preview images of the prints produced so far, and some still in preparation. Firstly, a few words to describe what this thing is all about:

“In the years to come a portrait of each and every generation of The Phantom will be released as a print by artists from around the world. Edition numbers will be reserved for those who wish to collect the entire series. Each print will be produced from the original on archival, museum quality paper which will last for many generations to come. The prints will be strictly limited to 400 Australasian copies, 400 export copies plus a 10% contributors proof run. The signature of the artist in graphite confirms the authenticity and limitedness of each print as well as confirming that the artist is satisfied with the fidelity of the print to the original. 99.94 Editions will always endeavour to produce the ultimate in limited edition collectables by using the best creative talents, the best materials and the best methods of production. All prints have so far been printed by Veritage Press at Lisarow with colour separation by Reprographics.”